2. OWENS
3. BALENCIAGA








| 21.01.08 - Two new commissions by Troika unveiled for the new British Airways’ Heathrow Terminal 5 Luxury Lounges. | ||
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Troika has been commissioned by Artwise Curators to create a signature piece at the entrance of the new British Airways luxury lounges in Heathrow Terminal 5. We created for them ‘Cloud’, a five meter long digital sculpture whose surface is covered with 4638 flip-dots that can be individually addressed by a computer to animate the entire skin of the sculpture. Flip-dots were conventionally used in the 70s and 80s to create signs in train-stations and airports. We were fascinated by their materiality, by the way they physically flip from one side to the other. The sound they generate is also instantly reminiscent of travel, and we therefore decided to explore their aesthetic potential in ‘Cloud’. |
On February 20, Heath Ledger’s good friend Vincent Fantauzzo submitted a portrait he painted of the actor for the Archibald Prize which is the most prominent of all arts prizes in Australia. The paper documenting the session in which Heath sat for the painter is dated December 29, 2007, less than a month before his untimely death. The painting itself is almost prophetic depicting three Heath characters, the central that looks absolutely exhausted and run down, and two side characters that are almost chaotic whispering into his ears.
It was made public after his death the actor had suffered from severe insomnia due to his racing mind before his death.



Loved the classic but still very fresh approach to colors for the next fall collection. It seems that Missoni this time is taking some hints by the color school of Prada, in creating a timeless elegance through color. Missoni seems to understand that extreme dissonance might not be the only way to approach color... I do like the minimal voluminous silhouettes without going into potato sac.


I do not apreciate NewYorkMag force feeding the masses Lindsay Lohan; it's so damn annoying! Why do we have to eat LiLo for breakfast lunch and dinner? This entretainment media business nonesense is the worse this country has (besides republicans), and now NYM join the forces of empty; feeding us the cheapest food to keep minds full of TITS ! This little girl seems to be the most self centered semi-actress out there, pushing her fake tan mixed with freckles to every media outlet; HOW DESPERATE? Doesn't she have enough...she does not give to much to then ask for all that recognition. Women have transcended the whole Marilyn Monroe bimbo idol, and we are supposed to adore the fact that she is trying to perpetuate this chicken-woman lifestyle? Like there is a lack of magazines that show naked women, to now bring it to a bigger audience by force... EEW, totally status quo thanks to this mag.

I have never been a fan of cultural celebrations, specially when it comes to create a sensed of romantic frustrations and demands... I wanted to do something worth my expectations this year. Its was one of the best valentine celebrations ever for me. I decided to take my husband to a theater preformance, and immerse my self in the intense experience that I knew Romeo Castellucci theater has to offer. Not disappointing at all, in fact, it was one of those pieces that expand on very interesting themes to me, like womanhood, romance and justice in a sort of ever evolving fight. All components of the piece makes this an unforgetable enriching experience. Hey girl is a visceral narration on what is to be a human -being woman-, violence and resistance is all part of the equation. Some scenes are so "Kim Gordon" type of warrior embodied by a young woman, that once is dressed to fight drops the sword and the cape saying "I hate this medieval shit"...
Images, narrative flow, harmonious typography, sets, collections, studies, mood...aaah the pleasures of editorial design! Many try with those elements but there are only a very few truly amazing designers. Work In progress are in my opinion on top of this game.
PARIS (AP) -The next Dakar Rally will zoom past the Andes, over Argentine plains and through Chilean desert instead of racing through African scrub and dunes.
Cool tatoo ugh?!By about 1700 several factories were using enamel colours and gilding over tin-glaze, requiring a third kiln firing at a lower temperature.
Delftware ranged from simple household items - plain white earthenware with little or no decoration - to fancy artwork. Most of the Delft factories made sets of jars, the kast-stel set. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes and seascapes. Sets of plates were made with the words and music of songs; dessert was served on them and when the plates were clear the company started singing.[8] The Delft potters also made tiles in vast numbers (estimated at eight hundred million[9])over a period of two hundred years; many Dutch houses still have tiles that were fixed in the seventeenth and eighteenth centuries."

I do like the girly yet lighthearted refinement of the dresses. If I were to dress up, this will be how: minnie mouse chic

"THE ritual has been the same for nearly 20 years. Japan, while adhering to a 1986 moratorium on commercial whaling, has sent sturdy ships to Antarctic waters and, more recently, parts of the Pacific Ocean to kill hundreds of whales in the name of scientific research

paper softwall expands to form a beautiful, freestanding wall that can be arranged into almost any shape, or easily compressed into a compact sheaf and stored away. paper softwall is made entirely of a lightweight tissue paper, granting it an airy, delicate beauty, yet it has surprising resilience. It is the honeycomb geometry of the softwall structure that gives it strength and allows an impressive use of a very modest amount of material. Like the textile version, paper softwall is bounded by thick wool felt ends, which fold to create handles when the wall is open, and form a protective cover when the wall is compressed.

"February 3, 2008 – "Taking classics and messing with them until they become fashion." It sounds easy enough, but the Gap's recent history suggests otherwise. It's well-known that the brand has been struggling to stay pertinent in a retail market that's become saturated with high-low fast-fashion labels. Enter Patrick Robinson, the man responsible for the above quote. The former Perry Ellis designer was the center of attention today at a one-hour presentation of the company’s new Fall lineup.Right now, the Gap has several points working in its favor when it comes to getting customers into its stores. The imminent recession we've all been hearing about, not to mention the ever-higher prices being asked of European imports, are keeping women from buying big-ticket items. The deciding factor, though, may be how good these clothes look. "