2. OWENS
3. BALENCIAGA
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21.01.08 - Two new commissions by Troika unveiled for the new British Airways’ Heathrow Terminal 5 Luxury Lounges. | ||
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Troika has been commissioned by Artwise Curators to create a signature piece at the entrance of the new British Airways luxury lounges in Heathrow Terminal 5. We created for them ‘Cloud’, a five meter long digital sculpture whose surface is covered with 4638 flip-dots that can be individually addressed by a computer to animate the entire skin of the sculpture. Flip-dots were conventionally used in the 70s and 80s to create signs in train-stations and airports. We were fascinated by their materiality, by the way they physically flip from one side to the other. The sound they generate is also instantly reminiscent of travel, and we therefore decided to explore their aesthetic potential in ‘Cloud’. |
The paper documenting the session in which Heath sat for the painter is dated December 29, 2007, less than a month before his untimely death. The painting itself is almost prophetic depicting three Heath characters, the central that looks absolutely exhausted and run down, and two side characters that are almost chaotic whispering into his ears.
It was made public after his death the actor had suffered from severe insomnia due to his racing mind before his death.
By about 1700 several factories were using enamel colours and gilding over tin-glaze, requiring a third kiln firing at a lower temperature.
Delftware ranged from simple household items - plain white earthenware with little or no decoration - to fancy artwork. Most of the Delft factories made sets of jars, the kast-stel set. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes and seascapes. Sets of plates were made with the words and music of songs; dessert was served on them and when the plates were clear the company started singing.[8] The Delft potters also made tiles in vast numbers (estimated at eight hundred million[9])over a period of two hundred years; many Dutch houses still have tiles that were fixed in the seventeenth and eighteenth centuries."
paper softwall expands to form a beautiful, freestanding wall that can be arranged into almost any shape, or easily compressed into a compact sheaf and stored away. paper softwall is made entirely of a lightweight tissue paper, granting it an airy, delicate beauty, yet it has surprising resilience. It is the honeycomb geometry of the softwall structure that gives it strength and allows an impressive use of a very modest amount of material. Like the textile version, paper softwall is bounded by thick wool felt ends, which fold to create handles when the wall is open, and form a protective cover when the wall is compressed.