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with -still-lots of reminiscences of the most influential Balenciaga collection, two different takes on structured classic-future suits. My fav the grey Burberry 2-09 fallowed very close by the black Calvin Klein 2-09
The series is in participation with Pearl Lam's Contrasts Gallery in Shanghai and the result of a scheme set up to introduce European designers to local Chinese practices. Baas took inspiration from time spent observing daily life and culture in Shanghai.
'It's a city full of contradictions', the designer says, 'old/new, high-tec/low-tech, tradition/revolution, fake/real, cheap/expensive, original/copy. Together all these contradictions seem to form an interesting paradox. The exhibition 'The Shanghai Riddle' is also full of paradoxes and experiments. It's inspired by a city in which everything seems possible.'
Baas' interpretation comes in the form of hand-carved elm replicas of plastic mass-produced furniture, highlighting the contrast between treasured Chinese handcraft and contemporary, mass-produced and mass consumed. As with all Baas' work the unlikely aesthetic is humorous but thought-provoking rather than gratuitous.
In addition to these pieces Baas has also added to his 'Sculpt'series with a grand piano and a Chinese instrument called the 'pipal'. And proving the breadth and depth of his talent the designer hopped onto the stool and played a quick jig on the piano at the exhibition's opening."
"How do you live with your art?
I had beautiful Old Master paintings; I sold them all. But now I have a collection—it’s not on the wall—that I really love, of German posters from 1905 to 1915. They are the beginning of modern advertising, like huge Pop-art paintings, with unbelievable colors and modernity. They show the strangest products: AEG electrical equipment, coal, chocolate, sometimes fairs, or exhibitions. But they are divine, and they are impossible to find.
Where do you find them?
I get all the catalogues, and I have people who buy for me. The other day, one of them said, “You cannot pay $50,000 for a poster.” I bought it for nearly $80,000, and a week after, at a sale in New York, a poster by the same artist—not as good—went for $120,000.
But you don’t hang them on the wall.
I want to put them in my place in New York. They don’t work in France; it’s not a French style at all. I will do the New York apartment in the style of the [Deutscher] Werkbund, the architectural movement that had designers like Bruno Paul, Hermann Muthesius and Peter Behrens, who taught Walter Gropius and Le Corbusier. They did modern things differently, in 1910, before the Bauhaus. I have a collection of furniture bought 20 years ago that is stunning, very colorful, in bright red, yellow, green and gold. Suddenly people are discovering Werkbund. Everyone knows Vienna Secession, but there is not much left. Werkbund is Germany for me, a Germany that I can identify with."
I felt lucky to get out of that cardigan alive.
As I stumbled out of the dressing room, clammy, gasping and disoriented, the salesman appeared.
“We unfortunately sold out of the dress with the instruction manual,” he said, shrugging. “You had to wrap it around yourself three times.”
I pushed past him and fled into the street."
Yves Carcelle, Chairman and CEO of Louis Vuitton, says: "This project not only brings a new meaning to luxury, but also speaks volumes about how the know-how and heritage of Louis Vuitton have always been perceived in Japan, including by its foremost designers. We are very proud to have been able to help Rei Kawakubo relive her memories in such an original and creative way."
Rei Kawakubo, President of Comme des Garçons, says: "These are party bags to celebrate the 30 years of Louis Vuitton in Japan. In designing them, I have kept Louis Vuitton's traditional concept as it is, but sometimes two handles become one, sometimes two handles become eight... It has been a remarkably exciting opportunity for me to have been able to participate in Louis Vuitton's traditional design and heritage.""
sourceThe five Eaux de Parfum are titled Green, Rose Noir, Gypsy Water, Pulp, and Chembur. Says Gorham,
"I have always been fascinated by the world of fragrance and its effects on my memories and impressions. Through BYREDO I want to communicate my own personal experiences - to contribute to an almost collective memory of time and place. I also believe in a modern approach without loosing olfactory techniques - of simply bringing together the best of old and new." ....."